The
Preaching Life
By
David Busic
“Words
and Imagination”
Every
vocation has tools. A carpenter has a hammer. An accountant has a calculator.
A plumber has a wrench. A preacher’s tools are words and imagination.
Therefore, a preacher must love words and nurture imagination. The Bible
and the anointing of the Holy Spirit are not tools. These are gifts,
and without them there is no authentic, biblical preaching. But the
preacher’s creativity is what complements these gifts to assist
in making the Word of God come alive for one’s hearers.
Preaching
is a search for meaning in the life of God. Words are our transportation.
Because this is true, preachers are much closer to artists than to mechanics.
We learn our trade by reading, listening, and writing. If we lose the
ability to signify and name something in the world, we also lose the
ability to communicate. The following are some helpful exercises to
help nurture our imagination and explore creativity in our preaching.
1. What’s
It Like To Be?
Fred
Craddock, the father of inductive preaching, suggests the preacher should
prepare sermons as if the members of their congregation were peering
over their shoulder as they write, asking questions of the text. He
then recommends this exercise both to nourish imaginative words and
to help us connect with our listeners.
Take
a blank sheet of paper and write at the top: “What’s it
like to be?” Beneath that heading write a phrase descriptive of
one concrete facet of human experience. Examples might be: “parents
of a runaway,” “facing surgery,” “living alone,”
“going into the military,” “unable to read,”
“fourteen years old.” Then, for the next few minutes write
down on that page every thought, recollection, feeling, experience,
name, place, or sound that comes to your mind. This exercise may take
some time to become accustomed to, but you may be surprised how this
kind of free association will spark your mind and thoughts around the
different human perspectives and experiences of your congregation.
2. Painting
Word Pictures
Good
preaching never explains to the listeners what it can evoke in their
mind. When telling image-based stories the words and metaphors of preaching
should help paint word-pictures that do more than explain. Rather than
saying, “He put on his shoes,” say, “He slipped on
his polished wing-tips.” Rather than saying, “She put on
her coat,” say, “She put on her red windbreaker.”
Rather than saying, “He wiped his hands on his pants,” say,
“He wiped his large, calloused hands on his faded overalls.”
Each of these descriptive phrases identifies the image of a person you
are intending to describe. A man putting on his shoes could be anybody.
Polished wing-tips signify a businessman. A man wiping his hands on
his pants is generic. “Large, calloused hands” and “faded
overalls” might identify a farmer.
3. Five
Senses
The
most memorable sermons are those that engage all five senses: hearing,
sight, touch, smell, and taste. To help spark your creativity think
of a person, place, or event you could describe in sensory ways to another
person.
An
example: What do you see, hear, feel, smell, and taste at a college
football game? Put yourself there. How would you describe it in sensory
ways to someone who has never been to a college football game? Here
are some examples of things you might say: “I hear the sounds
of a marching band. I hear the snap of a snare drum and the blat of
a tuba. I see an ocean of red in the stands (or whatever the team colors
happen to be). I hear the roar of the crowd and the crunching of shoulder
pads. I smell burning leaves in the air and buttered popcorn. I feel
the cool, fall air on my cheeks and the aluminum bleachers underneath
me.”
The
more specific you can be in your descriptive words, the better. Don’t
just say, “I hear drums.” Say, “I hear the snap of
a snare drum.” Don’t just say, “I hear players running
into each other.” Say, “I hear the crunching of shoulder
pads.”
Another
example might be: What do you see, hear, feel, smell, and taste at Ground
Zero, New York City, on September 11, 2001? “The smoke is burning
my eyes. I smell the acrid scent of burning jet fuel. I hear sirens
blaring and people screaming. I see firefighters and emergency workers
running.”
This
exercise will also help you in biblical story-telling. I was recently
preparing to preach from the story of blind Bartimaeus in Mark 10. I
wanted to know what it was like to experience the story from Bartimaeus’
perspective. To “experience” it I decided to filter the
story through my five senses. I went to a dark room in the church, blind-folded
myself, sat down in the corner, and replayed the story in my mind. I
tried to imagine what Bartimaeus was hearing, touching, smelling, tasting,
and even seeing. What would it be like to sit by that dusty road, day
after day, begging for food from people I could not see? What would
it be like to hear a crowd coming down the road and know that Jesus
was coming?
The
text says Bartimaeus began to cry out to be heard above the din of the
crowd. People told him to be quiet. He persisted even louder. Finally,
Jesus told him to get up and come to Him. Obviously, he was blind and
couldn’t see where he was going. But the Bible tells us that Bartimaeus
leapt to his feet and ran to Jesus. I tried to do that in the dark room.
I was stumbling over chairs and had to use my hands to see where I was
going. I was disoriented and felt very vulnerable. Then it dawned on
me: that was probably exactly how Bartimaeus felt at that moment. It
gave me a new insight into the kinds of feelings Bartimaeus must have
been feeling at that moment, and just how desperate he must have been
to put himself through that kind of public display. That sensory experience
helped me to retell the story to the congregation in vivid ways, and
helped them to catch a glimpse of passionate discipleship.